Skip to Content

The 12 Best LGBT Horror Movies You Should Already Have Seen By Now!

The 12 Best LGBT Horror Movies You Should Already Have Seen By Now!

The world of horror, known for its unearthly terrors and spine-tingling suspense, has evolved to encompass narratives that confront our deepest fears and the haunting specters of discrimination and identity. This evolution has given rise to the best LGBT Horror Movies, a subgenre that harnesses the power of fear to illuminate the often-misunderstood experiences of the LGBTQ+ community.

These films intertwine the thrills of traditional horror with poignant commentaries on prejudice and acceptance, offering viewers an enigmatic and thought-provoking cinematic experience.

In recent years, LGBT horror films have emerged from the shadows to captivate audiences worldwide. These films artfully blend the supernatural and the sociopolitical, creating stories that are not only terrifying but also deeply resonant.

As we delve into the crypts of this genre, we’ll uncover the roots of LGBT horror, explore its evolution, and dissect the groundbreaking films that have left an indelible mark on both horror cinema and LGBTQ+ representation. Join us on this chilling journey into the heart of darkness, where queerness and fear collide to reveal the power of storytelling in its most terrifying and liberating form.

Best LGBT Horror Movies

Wondering where to watch? It depends on where you live in the world and which streaming services you have. We link to the streaming service we watch on in each case - be it Netflix, Amazon Prime, Apply TV+, or elsewhere.

You can get one month free of Amazon Pride (or a 6-month trial for students) of Amazon Prime and also get immediate access to FREE Two Day shipping, Amazon Video, and Music. While you won't be charged for your free trial, you'll be upgraded to a paid membership plan automatically at the end of the trial period - though if you have already binged all these, you could just cancel before the trial ends.

Apple TV+ also has a one-week trial, and Hulu has a one-month trial (which can be bundled with Disney!). Another option might be using a VPN to access Netflix titles locked to other regions. Netflix is now available in more than 190 countries worldwide and each country has a different library and availability. US Netflix is (understandably) one of the best. 

While we wish everything could just be in one place - for now, it seems these are the best streaming platforms to watch on.

High Tension [Haute Tension] (2003)

High Tension is a horror film directed by Alexandre Aja, a French filmmaker known for his contributions to the horror genre. Aja began his career in the late 1990s, gaining recognition for his debut film, Furia (1999). He later directed Switchblade Romance (titled High Tension for international release), solidifying his reputation as a director adept at creating intense and frightening cinematic experiences.

The film follows the story of Marie and Alex, two friends who embark on a weekend getaway at Alex’s family farmhouse. However, their peaceful retreat takes a terrifying turn when a sadistic serial killer invades the house, resulting in a gruesome and tension-filled battle for survival. The plot takes unexpected twists, keeping the audience on the edge of their seats as the tension escalates.

High Tension is noted for its exploration of LGBT themes, particularly through the character of Marie, portrayed by Cécile de France. Marie’s complex identity and evolving emotions are subtly woven into the narrative, adding depth to her character and enhancing the psychological elements of the film.

Fans of the horror genre should consider watching High Tension for its masterful direction by Alexandre Aja, delivering a visceral and suspenseful experience. The film stands as a testament to Aja’s ability to create a relentless atmosphere of fear, amplified by the exploration of psychological and societal themes.

With its twists, intense scenes, and intriguing character dynamics, High Tension is a compelling watch for those seeking a captivating and spine-chilling cinematic experience.

Alena (2015)

Alena is a Swedish film directed by Daniel di Grado, a notable figure in the contemporary Scandinavian cinema landscape. Di Grado has established himself as a versatile director and screenwriter. He began his career in the early 2000s, gaining recognition for his short films and commercials. His ventures into feature films have been met with critical acclaim, showcasing his talent for storytelling and visual aesthetics.

In Alena, di Grado delves into the intricacies of teenage life, melding elements of the horror genre with poignant coming-of-age themes. The film centers around Alena, a troubled teenager grappling with the challenges of high school life. As she navigates the social dynamics and confronts her own haunting past, the audience is taken on a compelling journey of fear, friendship, and self-discovery.

The film features a strong cast and offers a unique take on the typical high school narrative. Di Grado’s direction is masterful, incorporating suspenseful sequences and powerful imagery that resonate with the viewer long after the credits roll. The cinematography and sound design are particularly noteworthy, enhancing the eerie atmosphere and contributing to the film’s overall impact.

For those seeking a cinematic experience that blends teenage angst with elements of horror and psychological depth, Alena is a must-watch. Daniel di Grado’s directorial prowess and the film’s engrossing narrative make it a compelling choice for both fans of the genre and those interested in thought-provoking storytelling. Prepare to be captivated by this haunting depiction of adolescence and the haunting secrets that lie beneath the surface.

The Wild Boys (2017)

The Wild Boys is a compelling cinematic venture directed by Bertrand Mandico, a notable figure in the realm of avant-garde filmmaking. Mandico’s career has been characterized by his penchant for experimental storytelling and a unique artistic vision. His works often challenge conventional norms, exploring themes of gender, identity, and sexuality. The Wild Boys represents a pinnacle of his artistry, pushing boundaries in both narrative and aesthetics.

The film revolves around a group of unruly teenage boys who are sentenced to a maritime journey as a result of their heinous acts. Employing a dreamlike and hypnotic narrative style, Mandico weaves a tale that defies expectations, blurring the lines between reality and fantasy. The visuals are a breathtaking blend of vibrant colors, artistic composition, and evocative symbolism.

For those seeking a cinematic experience that defies convention and invites contemplation, The Wild Boys is a must-watch. It challenges preconceived notions, urging the audience to reconsider societal constructs and delve into the complexities of human nature.

Mandico’s masterful direction and the film’s unique visual and narrative elements make it an unforgettable journey into the uncharted territories of cinema. Prepare to be immersed in a world where the wild and the unknown reign supreme, leaving a lasting impression long after the credits roll.

The Duke of Burgundy (2014)

The Duke of Burgundy is a 2014 film directed by Peter Strickland, known for his unique and stylized approach to cinema. Strickland, born in 1973, is a British filmmaker renowned for his distinct visual aesthetic and storytelling techniques. He gained prominence with his earlier works like Katalin Varga (2009) and Berberian Sound Studio (2012), which showcased his penchant for intricate narratives and immersive soundscapes.

The Duke of Burgundy is an intriguing exploration of an intimate relationship set in a surreal, dreamlike world. The film delves into the intricacies of a dominant-submissive relationship between two entomologists. The narrative unravels with meticulous attention to detail and a focus on emotional complexity. Strickland’s direction elevates the film, creating a compelling atmosphere that lures the audience into the enigmatic world of the characters.

Strickland’s masterful storytelling, combined with stellar performances by the cast, particularly Sidse Babett Knudsen and Chiara D’Anna, provides an extraordinary viewing experience. The cinematography by Nicholas D. Knowland and the evocative score by Cat’s Eyes enhance the film’s dreamy ambiance, making it a visual and auditory delight.

For those seeking a thought-provoking exploration of human relationships, power dynamics, and the blurred lines between fantasy and reality, The Duke of Burgundy is a captivating choice. Strickland’s adept direction and the film’s unique narrative make it a compelling watch that challenges conventional storytelling, leaving a lasting impression on the viewer. Dive into this cinematic world for an experience that transcends the ordinary and offers a glimpse into the complexities of desire and intimacy.

The Cured (2017)

The Cured is a thought-provoking film directed by David Freyne, marking his feature film debut. Freyne, an Irish filmmaker, had previously gained recognition for his short films, showcasing his talent for blending horror with social commentary. The Cured solidifies Freyne’s reputation as a skillful director who delves into the complexities of human nature through a unique lens.

The film is set in a post-apocalyptic Dublin, grappling with the aftermath of a devastating zombie outbreak. The narrative follows Senan (played by Sam Keeley), a former zombie who has been cured and reintegrated into society.

The cured individuals face stigmatization and struggle to regain their place in a world that remembers their actions during their time as infected. As society grapples with fear and prejudice, Senan seeks redemption and reconnects with his sister-in-law (played by transgender actor Elliot Page).

The plot explores themes of societal reintegration, forgiveness, and the moral ambiguities that arise in a fractured society. Freyne’s direction skillfully juxtaposes horror elements with a deeper exploration of human psychology and social dynamics.

The Cured is recommended for its fresh take on the zombie genre, offering a compelling blend of horror, drama, and social commentary. Freyne’s direction and the performances of the cast elevate the film beyond its genre, provoking thoughtful reflection on how society treats those deemed ‘monstrous’ and the challenges of reintegration. It serves as a haunting reminder of the thin line between humanity and monstrosity, making it a must-watch for fans of thought-provoking cinema.

Pyewacket (2017)

Pyewacket is a supernatural horror film directed by Adam MacDonald, known for his intriguing forays into the horror genre. MacDonald’s career has been marked by a focus on intense psychological experiences and an exploration of human fears. His earlier work includes the critically acclaimed Backcountry (2014), demonstrating his ability to evoke primal terror through gripping narratives.

In Pyewacket, the story follows Leah Reyes, a grieving teenager grappling with the recent loss of her father. Tormented by her strained relationship with her mother and the trials of adolescence, Leah delves into the occult. In a moment of despair and anger, she performs a ritual to summon the malevolent spirit Pyewacket to exact revenge on her mother. However, as the supernatural forces intensify, Leah realizes the grave consequences of her actions and battles to undo the summoning.

The film’s plot navigates the delicate balance between a coming-of-age narrative and bone-chilling horror, masterfully executed by MacDonald. The atmospheric tension, accompanied by Nicole Muñoz’s compelling performance as Leah, adds depth to the film’s psychological dimensions.

Pyewacket is recommended for those seeking a unique horror experience that delves into the complexities of teenage emotions and the consequences of impulsive actions. MacDonald’s deft direction, coupled with a well-crafted narrative, makes this film a standout in contemporary horror cinema, leaving the audience with a lingering sense of unease and a newfound appreciation for the supernatural genre.

Bite Marks (2011)

Bite Marks is a horror-comedy film directed by Mark Bessenger, a filmmaker known for his contributions to the LGBTQ+ cinema. Bessenger has a diverse filmography that often delves into queer narratives and themes. His work often explores complex relationships and showcases unique perspectives within the LGBTQ+ community.

In Bite Marks, Bessenger takes the audience on a thrilling journey set in the horror genre. The plot revolves around a truck driver, Truck (played by Benjamin Lutz), and his misadventures after picking up a hitchhiker, Adam (played by Windham Beacham).

Unbeknownst to Truck, Adam is a vampire, and his bite marks set off a series of events that lead to a night of terror and survival. As the story unfolds, Truck and Adam must navigate a world filled with vampires, and their unexpected alliance becomes crucial for their survival against the bloodthirsty creatures of the night.

The film’s plot is infused with suspense, humor, and unexpected twists, offering a unique blend of horror and comedy that will keep the audience on the edge of their seats. Bessenger effectively combines elements of the horror genre with LGBTQ+ characters and themes, providing an entertaining and inclusive viewing experience.

For those seeking an unconventional take on the vampire mythos and a dose of dark humor, Bite Marks is a compelling choice. Bessenger’s direction and the film’s engaging plot make it a standout in the horror-comedy genre. The movie’s exploration of LGBTQ+ characters and its ability to deliver both scares and laughter make it a worthy addition to any film enthusiast’s watchlist.

Neon Demon (2016)

Nicolas Winding Refn, a Danish filmmaker known for his unique and provocative cinematic style, directed Neon Demon in 2016. Refn gained international acclaim for his distinctive storytelling and visual flair through previous works like Drive and Only God Forgives. His films often delve into dark and gritty themes, exploring the complexities of human nature and society.

In Neon Demon, the plot revolves around an aspiring young model, Jesse, played by Elle Fanning, who ventures into the cutthroat world of fashion in Los Angeles. The film unravels as a surreal and twisted narrative, showcasing the darker facets of the beauty-obsessed industry. As Jesse rises in the modeling world, she encounters envy, lust, and obsession, which lead to a harrowing transformation.

The film subtly explores LGBT undertones, presenting a portrayal of fluid sexuality and desire within the fashion realm. The characters’ relationships and interactions challenge traditional norms, reflecting the fluidity and ambiguity often associated with the LGBT spectrum.

Neon Demon is a mesmerizing visual experience, featuring striking cinematography and a hauntingly atmospheric soundtrack that complements the film’s themes. The surreal and symbolic elements engage the audience in a thought-provoking examination of societal beauty standards and the consequences of unbridled ambition.

For those seeking an intense and visually stunning cinematic journey that challenges conventions and offers a chilling glimpse into the darker side of the fashion industry, Neon Demon is a highly recommended watch. Nicolas Winding Refn’s masterful direction and the film’s explorations of beauty, obsession, and fluid sexuality make it a compelling and thought-provoking viewing experience.

The Lighthouse (2019)

The Lighthouse, directed by Robert Eggers, is a cinematic marvel that showcases Eggers’ adeptness in the horror genre. Eggers, known for his meticulous attention to historical accuracy and psychological depth in storytelling, made a striking debut with The Witch in 2015. The film garnered critical acclaim and established him as a director to watch.

In The Lighthouse, Eggers masterfully crafts a tense and eerie atmosphere, drawing upon themes of isolation and psychological disintegration. Set in the late 19th century, the plot follows two lighthouse keepers, played by Willem Dafoe and Robert Pattinson, who grapple with madness and power dynamics in their desolate island posting. The narrative is a relentless exploration of their deteriorating mental states, fueled by the harsh and unforgiving maritime environment.

While the film primarily focuses on the psychological struggle of the characters, there are clear gay undertones. The intense relationship between the two leads raises questions about sexuality and repression, adding a layer of complexity to the storyline.

The Lighthouse is a must-watch for cinephiles seeking an unconventional, atmospheric thriller. Eggers’ attention to detail, coupled with stellar performances from Dafoe and Pattinson, elevates the film.

The black-and-white cinematography and haunting sound design immerse the audience into the bleak and haunting world of the lighthouse. If you appreciate thought-provoking narratives and psychological depth, this film will leave a lasting impression, inviting contemplation long after the credits roll.

Carmilla (2019)

Carmilla is a film directed by Emily Harris, a talented filmmaker known for her adept handling of literary adaptations. Harris began her career in the film industry with several successful short films before transitioning to feature-length works. Her nuanced storytelling and keen understanding of source material make her a noteworthy director.

The film Carmilla is a reinterpretation of the classic Gothic novella by Sheridan Le Fanu. Set in 18th-century England, the plot unfolds when a mysterious carriage crash leaves a young woman, Lara, injured and with no memory of her past. She is taken in by the reclusive Miss Fontaine and her ward, Carmilla. As their friendship grows, so does an unsettling attraction between Lara and Carmilla, revealing the latter’s vampiric nature.

The narrative skillfully navigates themes of desire, sexuality, and the supernatural, delving into the complexities of relationships. Emily Harris brings a contemporary perspective to this age-old tale, infusing it with a fresh and thought-provoking aura. The film excels in atmospheric cinematography and a hauntingly beautiful score that amplifies the eerie ambiance.

For those seeking an intriguing blend of horror and romance, Carmilla is a must-watch. The film offers a unique perspective on the traditional vampire narrative, challenging conventional gender dynamics and exploring the forbidden allure of same-sex attraction. It’s a visually captivating experience that invites the audience to question societal norms and embrace the darker aspects of human nature. Carmilla promises an engaging journey through the macabre, leaving a lasting impression on discerning viewers.

The Killing of Sister George (1968)

The Killing of Sister George is a British-American film directed by Robert Aldrich. Aldrich, known for his distinctive style and penchant for dark and unconventional themes, made a significant mark in the film industry.

He gained fame for his ability to blend elements of suspense, intensity, and social commentary, as seen in films like What Ever Happened to Baby Jane? (1962) and Hush… Hush, Sweet Charlotte (1964). Aldrich’s direction in The Killing of Sister George exemplifies his mastery in depicting complex characters and exploring controversial subjects.

The film follows June Buckridge, played by Beryl Reid, a soap opera actress whose personal life unravels amid professional turmoil. Aldrich delves into the challenges of identity, power dynamics, and the struggle for control within relationships, all set against a backdrop of the television industry.

Despite its initial controversy due to its explicit content and portrayal of lesbian relationships, The Killing of Sister George remains a thought-provoking piece of cinema. The film invites viewers to reflect on societal norms and the facade of public personas.

Beryl Reid’s compelling performance adds depth and authenticity to the narrative, making the film a compelling watch. The unsettling and raw portrayal of human emotions, coupled with Aldrich’s keen directorial eye, makes The Killing of Sister George a film worth experiencing for those seeking a bold exploration of human psyche and societal constructs.

Midnight Kiss (2019)

Midnight Kiss is a horror film directed by Carter Smith, known for his expertise in the thriller and horror genres. Smith rose to prominence with his acclaimed short film Bugcrush (2006), which won the Sundance Film Festival’s Jury Prize. His directorial ventures, such as The Ruins (2008) and Jamie Marks Is Dead (2014), have demonstrated his ability to craft compelling and unnerving narratives.

In Midnight Kiss, the plot revolves around a tight-knit group of gay friends who gather every New Year’s Eve for a private party. As the night unfolds, an unexpected guest disrupts their festivities with a sadistic game that challenges friendships and relationships. Tensions escalate as the group navigates love, betrayal, and survival in the face of a perilous game.

The film tastefully addresses LGBT themes, providing representation and showcasing the complexities of relationships within the community. It offers a unique perspective on queer characters and the challenges they face, adding depth to the story and fostering inclusivity.

Midnight Kiss is a must-watch for horror enthusiasts and those seeking a fresh take on the genre. The film’s intriguing plot, well-developed characters, and skillful direction by Carter Smith make it a standout in the horror genre.

Moreover, its inclusion of LGBT themes adds an important layer of representation and relatability, making it an enriching experience for a diverse audience. Prepare to be on the edge of your seat as you navigate the twists and turns of this thrilling narrative.