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Manhunt Audible Audiobook – Unabridged
Starred Reviews in Library Journal and Booklist!
A Most-Anticipated Title in CrimeReads, BookRiot, Tor.com, Electric Lit, and more.
Featured in Autostraddle, Apartment Therapy, Goodreads, and more.
Gretchen Felker-Martin's Manhunt is an explosive post-apocalyptic novel that follows trans women and men on a grotesque journey of survival.
“A modern horror masterpiece.” —Carmen Maria Machado, bestselling author of In the Dream House
“Keeps up a relentless velocity while just being plain fun as hell.”—Torrey Peters, author of Detransition, Baby
Beth and Fran spend their days traveling the ravaged New England coast, hunting feral men and harvesting their organs in a gruesome effort to ensure they'll never face the same fate.
Robbie lives by his gun and one hard-learned motto: other people aren't safe.
After a brutal accident entwines the three of them, this found family of survivors must navigate murderous TERFs, a sociopathic billionaire bunker brat, and awkward relationship dynamics—all while outrunning packs of feral men, and their own demons.
A Macmillan Audio production from Tor Nightfire.
- Listening Length10 hours and 37 minutes
- Audible release dateFebruary 22, 2022
- LanguageEnglish
- ASINB09S42V119
- VersionUnabridged
- Program TypeAudiobook
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Product details
Listening Length | 10 hours and 37 minutes |
---|---|
Author | Gretchen Felker-Martin |
Narrator | Katherine Pucciariello |
Whispersync for Voice | Ready |
Audible.com Release Date | February 22, 2022 |
Publisher | Macmillan Audio |
Program Type | Audiobook |
Version | Unabridged |
Language | English |
ASIN | B09S42V119 |
Best Sellers Rank | #53,894 in Audible Books & Originals (See Top 100 in Audible Books & Originals) #13 in LGBTQ+ Horror Fiction (Audible Books & Originals) #20 in LGBTQ+ Science Fiction (Audible Books & Originals) #61 in LGBTQ+ Horror Fiction (Books) |
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Top reviews from the United States
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It's extremely character- and theme-driven, and rich in both respects. The characters I adore, to an extent even the villains, and I missed them when the story came to a close. Even the setting feels like a character unto itself. Thematically, it's like looking at the real world in a funhouse mirror that magnifies things we don't see or don't want to see, and very real pain, fears, and experiences. It's almost totally non-fantastical as the zombie-plague and gender-plague subgenres go: it has its one big diversion from the real world, the t. rex virus, and that's it. The rest is just what do you mean this isn't real life, to the point that a great deal of what's in it has direct real-world inspiration. It uses the tools of the horror genre not in service of the genre itself, but as means of expression.
As far as being horror goes, it does a lot of interesting things with it. The t. rex virus is a powerful metaphor that does a great deal of heavy lifting in expression of the story's themes, and it actually sells its fate-worse-than-death for what it is, though I may be biased. It evokes dread not only in the sense of fear of death, but of fear of what you will live through. And oh can it evoke fear of death. Even in those occasions where the perspective character is a villain that you'd think you shouldn't empathize with, it makes you feel their fear.
I do feel a need to note that the premise of the book is not killing cis women, as some comments have claimed. That's bull. The premise is the protagonists trying to survive in a world that doesn't want them in it. It does feature truly extreme violence that I might compare to DOOM or Mortal Kombat, but that violence is directed at everyone in it, and it has no interest in glorifying violence against cis women as a demographic nor against noncombatants. Even in its portrayal of TERF villains, it gives them a fairer shake and is more humanizing than it was obligated to be.
It does make a serious break with a certain orthodoxy in feminist literature, however: it does not portray a world ostensibly run by women as necessarily being a utopia or even with women coming together in unity. It instead portrays a world where the worst women in it seized control in the power vacuum after T-day, and that to a large extent has the same old violent and exploitative hierarchies, just under new management. Some consider portraying women behaving as badly as men to be offensive or even somehow misogynistic. I don't. It's actually very interesting.
so yeah read this book it rules
In this post-apocalyptic world the T-Virus (love the Resident Evil shout out) transforms anyone with testosterone into a wild, zombie-like beast interested only in eating and mating. So cis men, trans women not on HRT, cis women with PCOS and trans men on HRT all mutate into monsters. Two trans women, Fran and Beth who hunt feral men try to survive while avoiding both militant TERFs who are out to kill any trans woman they see, and spoiled bunker brats, once wealthy capitalists who have created their own serfdoms outside their high-tech bunkers. Unluckily for them they run into both with alarming frequency and have to fight their way out.
Everyone in this story is super horny, sometimes at wildly inappropriate times like when their lives are being threatened by TERFs, and there’s a lot of sex. The sex is hot, and sometimes gross, and other times both hot and gross, much like real sex. It was nice to have sex scenes that were centered around trans pleasure rather than the cis-male gaze. Of course, the graphic description of genitalia might be triggering for some people who experience gender dysphoria. Another trigger warning, transphobic and homophobic slurs are used frequently, so be prepared for that.
Top reviews from other countries
The characters feel so real, they are written with such raw honesty. I have never seen trans characters written in such a way. Often I've seen writers avoid the messier, "unacceptable" aspects of trans characters for fear of being misunderstood or distorted by unfair critics who judge first and look for reasons after. Felker-Martin does not shy away from this, and in fact seems to lean into it. The characters are laid bare, their most problematic traits exposed, making them seem deeply real and human. The constant scrutiny of trans women is explored and spat at.
The subject matter is gruesome and exposed in an impressive level of disgusting detail. Not for the faint of heart. The initial chapters outline most of the horrors that are later explored in detail, however the Felker-Martin constantly finds ways to surprise and terrify, while balancing horror upon horror out nicely with dark humour, and some honest, messy sex scenes.
Every paragraph of this book is beautifully crafted. I cannot stop talking about it to everyone in my life, even after talking about it for hours once a week with my book club.
I finally finished it, bawled my eyes out, then almost immediately flipped back to the first page to reread it.
The characters are complex like real people, and I felt myself truly caring for Beth, Fran and Robbie (as well as many of the other characters).
Plot: the author does a fantastic job taking a current hot topic and shedding light on it in a relatable and engaging way. The metaphors and themes throughout this book are perfect. The author truly gives trans people a platform and an amazing starting point in modern literature.
Writing: the author wrote in a way that you couldn't put the book down. It's fast paced but not without strong writing and clever jokes and symbolism throughout.
The Characters: Its impossible for your heart not to break after reading and feeling the pain that each of those characters go through in their unique but all too similar hardships.
This book should be at the top of a lot of charts.